- Acknowledgments
- Introduction
- Triads
- Major Triads on 432
- Using the Circle of Fourths with Triads
- Using the Circle of Fourths with Arpeggios
- Minor Triads
- Spread Triad Voicings
- Inversions
- Gospel Triads
- Suspended 4 Triads (4 Replaces 3)
- Diminished and Augmented Triads
- Triads up the Fretboard
- Triads Across the Fretboard
- Power Chords
- Barre Chords
- Four-Part Chords: Root Position Drop 2 Using Raise 2 Approach
- Drop 2 Crossovers: Moving Chord Shapes Across String Sets
- Four-Part Chords: Inverting Drop 2
- Diminished 7 Drop 2 Chords
- Drop 3 Voicings Using Raise 2 and 3 Process
- Major 6 and Minor 6 Voicings
- Dom7(9) and Dom7(13)
- Dominant 7 Voicings with Altered Tensions
- Guide Tone Voicings
- Inverting Drop 2 and Drop 3 Voicings
- Appendix A: Chord Tones and Tensions on the Fretboard
- Appendix B: Berklee Guitar Department Required Chords
- Appendix C: Etudes
- Final Thoughts
- About the Author
Berklee Guitar Chords 101